Musical anthropologists interested in the study of just how fast a band can evolve need look no further than the six upright, upstanding men in Oregonâ€™s Larry and His Flask. Formed by brothers Jamin and Jesse Marshall in 2003, the Flask (as the bandâ€™s expanding army of fans calls them) spent its first half-decade stuck in a primordial, punk-rock goop, where a blood-sweat-and-beers live show took priority over things like notes and melodies. Donâ€™t misunderstand: The band was (somewhat) skilled and an absolute joy to watch, but the goal was always the party over perfection.
Over the past two years, however, Larry and His Flask has gone from crawl to sprint at breakneck speed. First, Jamin Marshall moved from gargling-nails vocals to drums. Guitarist Ian Cook became the bandâ€™s primary voice. And a trio of talented pickers and singers â€” Dallin Bulkley (guitars), Kirk Skatvold (mandolin) and Andrew Carew (banjo) â€” joined the family. (And no, you didnâ€™t miss something. No one is named Larry.)
Determined to make music for a living or die trying, the six brothers set out in a van, intent on playing for anyone, anywhere at any time. From coffee shops to dive bars and street corners to theater stages, the Flask honed their sound and show through experience, attacking each gig like buskers who must grab and hold the attention of passersby in hopes of collecting enough change to get to the next town.
By 2009, Larry and His Flaskâ€™s train began gaining steam. The bandâ€™s new songs are a blurry blend of lightning fast string-band picking, gorgeous nods to old-school country, and sublime multi-part harmonies, all presented through a prism of punk chaos. The boys have grown and changed, yes, but their shows are still gloriously physical displays of live musicâ€™s sheer power. In other words, keep your eyes peeled, or risk taking the heavy end of Jesse Marshallâ€™s flailing, stand-up bass right between the eyes.